French Empire Style Ebonized and Gilt End Table

French Empire-Style (1940s) ebonized and gilt trim round end table with bronze trim on apron and a top rim surrounding a mottled mirrored round top. (Attributed to MAISON JANSEN)
SKU
JKG2198
Creator
Maison Jansen
Item Location
New York, NY
Dimensions (in)
Height: 22.00"
Diameter: 22.00"
Style
Mid-Century
French
Color
Black, Gold
Category
Furniture
Tables
End Tables/Bedside Tables
Materials & Techniques
bronze, ebonized
Condition
Good; Wear consistent with age and use
$6,500 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Gallery

306 East 61st Street, 3rd Floor

NY - 10065

phone(212) 758-1970

French Empire Style Ebonized and Gilt End Table

French Empire-Style (1940s) ebonized and gilt trim round end table with bronze trim on apron and a top rim surrounding a mottled mirrored round top. (Attributed to MAISON JANSEN)
In Stock
$6,500
Quantity:1
SEE IN PERSON
location

Newel Gallery

306 East 61st Street, 3rd Floor

NY - 10065

phone(212) 758-1970
SKU
JKG2198
Creator
Maison Jansen
Item Location
New York, NY
Dimensions (in)
Height:
22.0"
Diameter:
22.0"
Style
Mid-Century
Category
Furniture
Tables
End Tables/Bedside Tables
Finish
Ebonized
Color
Black, Gold
Materials & Techniques
bronze, ebonized

About Maison Jansen

Maison Jansen was a prominent French interior design firm that operated from 1880 to 1989. Founded by Jean-Henri Jansen, the company quickly gained recognition for its luxurious and avant-garde designs, becoming one of the most influential interior design firms of the 20th century.

Jean-Henri Jansen, born in 1854 in The Hague, Netherlands, initially pursued a career in law. However, read more..

View all Maison Jansen Works

Apron

A structural support placed at right angles to the underside of a shelf, chair seat, or table top to provide additional weight bearing strength and often decorative flourishes.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Apron

A structural support placed at right angles to the underside of a shelf, chair seat, or table top to provide additional weight bearing strength and often decorative flourishes.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Apron

A structural support placed at right angles to the underside of a shelf, chair seat, or table top to provide additional weight bearing strength and often decorative flourishes.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

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