Burgundy Tufted Leather Wing Back Chairs

(#062510)

PAIR of English Georgian style (modern) burgundy leather button tufted wing back chairs with out scrolled arms & brass nail head trim resting on mahogany cabriole legs with pad feet
Item #
062510
Category
Furniture
Seating
Club/Wing/Misc Chairs
Style
English Georgian
Color
Brown, Red
Dimensions (in)
Width:29.0"
Depth:25.0"
Height:38.0"
Seat Height:18.0"
Price:

In Stock

Burgundy Tufted Leather Wing Back Chairs

Price

#062510

In Stock

PAIR of English Georgian style (modern) burgundy leather button tufted wing back chairs with out scrolled arms & brass nail head trim resting on mahogany cabriole legs with pad feet
Item #
062510
Category
Furniture
Seating
Club/Wing/Misc Chairs
Style
English Georgian
Color
Brown, Red
Dimensions (in)
Width:29.0"
Depth:25.0"
Height:38.0"
Seat Height:18.0"

Burgundy Tufted Leather Wing Back Chairs (#062510)

Price:

In Stock

PAIR of English Georgian style (modern) burgundy leather button tufted wing back chairs with out scrolled arms & brass nail head trim resting on mahogany cabriole legs with pad feet
Item #
062510
Dimensions (in)
Width:
29.0"
Depth:
25.0"
Seat/Height:
18.0"
Height:
38.0"
Style
English Georgian
Color
Brown, Red
Cabriole leg

Cabriole leg

A furniture leg with a double curve. A stylized form of animal hind leg with elongated "S" shape. Popular in late 18th-century and 19th-century Europe.

Mahogany

Mahogany

Straight-grained hard wood with silky texture, ranging in color from salmon-pink through bright red and when newly cut, changes to a golden or deep brown red.

Pad foot

Pad foot

Club foot resting on an integral disc.

Wing chair

Wing chair

Chair with side pieces shaped like wings, which jut from each side of the top of the armchair back. Originally used to block drafts.

Adam Style

Adam Style

Also known as the Style of the Brothers Adam (or Adamesque), this neoclassical 18th century style is named for the three brothers who pioneered it. The Adams style was popular among the upper class in mid-1700's England, Russia and Scotland, and was founded on the principle that all design elements within a structure (from the architecture down to the textiles) should follow a unified theme.

Cabriole leg

Cabriole leg

A furniture leg with a double curve. A stylized form of animal hind leg with elongated "S" shape. Popular in late 18th-century and 19th-century Europe.

Mahogany

Mahogany

Straight-grained hard wood with silky texture, ranging in color from salmon-pink through bright red and when newly cut, changes to a golden or deep brown red.

Pad foot

Pad foot

Club foot resting on an integral disc.

Wing chair

Wing chair

Chair with side pieces shaped like wings, which jut from each side of the top of the armchair back. Originally used to block drafts.

Adam Style

Adam Style

Also known as the Style of the Brothers Adam (or Adamesque), this neoclassical 18th century style is named for the three brothers who pioneered it. The Adams style was popular among the upper class in mid-1700's England, Russia and Scotland, and was founded on the principle that all design elements within a structure (from the architecture down to the textiles) should follow a unified theme.

Cabriole leg

Cabriole leg

A furniture leg with a double curve. A stylized form of animal hind leg with elongated "S" shape. Popular in late 18th-century and 19th-century Europe.

Mahogany

Mahogany

Straight-grained hard wood with silky texture, ranging in color from salmon-pink through bright red and when newly cut, changes to a golden or deep brown red.

Pad foot

Pad foot

Club foot resting on an integral disc.

Wing chair

Wing chair

Chair with side pieces shaped like wings, which jut from each side of the top of the armchair back. Originally used to block drafts.

Adam Style

Adam Style

Also known as the Style of the Brothers Adam (or Adamesque), this neoclassical 18th century style is named for the three brothers who pioneered it. The Adams style was popular among the upper class in mid-1700's England, Russia and Scotland, and was founded on the principle that all design elements within a structure (from the architecture down to the textiles) should follow a unified theme.

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