Pair of French Empire Gilt Bronze Pedestals

PAIR of French Empire Neo-classic style gilt bronze 3 leg pedestals with bird heads supporting a round grey marble top. (Maison Jansen, 1970s)
SKU
REG3879
Creator
Maison Jansen
Item Location
New York, NY
Dimensions (in)
Height: 54.00"
Diameter: 14.00"
Style
French
Empire
Color
Gold
Category
Furniture
Tables, Pedestals/Display
Pedestals, Misc. Furniture
Materials & Techniques
bronze, marble
Condition
Good; Wear consistent with age and use
$9,000 / Pair (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Pair of French Empire Gilt Bronze Pedestals

PAIR of French Empire Neo-classic style gilt bronze 3 leg pedestals with bird heads supporting a round grey marble top. (Maison Jansen, 1970s)
In Stock
$9,000 / Pair
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
REG3879
Creator
Maison Jansen
Item Location
New York, NY
Dimensions (in)
Height:
54.0"
Diameter:
14.0"
Style
French
Category
Furniture
Tables, Pedestals/Display
Pedestals, Misc. Furniture
Color
Gold
Materials & Techniques
bronze, marble

About Maison Jansen

Maison Jansen was a prominent French interior design firm that operated from 1880 to 1989. Founded by Jean-Henri Jansen, the company quickly gained recognition for its luxurious and avant-garde designs, becoming one of the most influential interior design firms of the 20th century.

Jean-Henri Jansen, born in 1854 in The Hague, Netherlands, initially pursued a career in law. However, read more..

View all Maison Jansen Works

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

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