Copy of "Capture of the Fort of Saint-Jean D'Ullioa" Painting

Copy of a seascape painting titled "Capture of the Fort of Saint-Jean D'Ullioa, November 23, 1838" showing siege of burning fort by tall ships
SKU
TR1081
Item Location
New York, NY
Dimensions (in)
Width: 67.00"
Depth: 2.00"
Height: 48.00"
Style
French
Louis XIV
Color
Orange, Red, Purple
Category
Art
Cleared Art, Sporting/Gaming
Seascape/Coastal, Nautical items
$9,000 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Copy of "Capture of the Fort of Saint-Jean D'Ullioa" Painting

Copy of a seascape painting titled "Capture of the Fort of Saint-Jean D'Ullioa, November 23, 1838" showing siege of burning fort by tall ships
In Stock
$9,000
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
TR1081
Item Location
New York, NY
Dimensions (in)
Width:
67.0"
Depth:
2.0"
Height:
48.0"
Style
French
Category
Art
Cleared Art, Sporting/Gaming
Seascape/Coastal, Nautical items
Color
Orange, Red, Purple

Louis XIV

A design period which glorified and enforced the rule of the King of France by the same name between 1643 and 1715. The style includes three distinct periods. The first third of the period drew heavy influence from Italian Baroque design and the style of the previous king, Louis XIII, employing large, masculine, symmetrical forms. Mahogany and oak were favored as materials. As the period continued, the style became more classically ostentatious and decorative and was characterized by large, ornately carved, gilt pieces. The end of the period popularized ironwork and marquetry as finishing techniques, employed a variety of fantastical forms, and included arabesque, coquille, and grotesque designs. This period also saw the popularization of several common furniture varieties, including the commode, console table, and canape sofa, among others.

Louis XIV

A design period which glorified and enforced the rule of the King of France by the same name between 1643 and 1715. The style includes three distinct periods. The first third of the period drew heavy influence from Italian Baroque design and the style of the previous king, Louis XIII, employing large, masculine, symmetrical forms. Mahogany and oak were favored as materials. As the period continued, the style became more classically ostentatious and decorative and was characterized by large, ornately carved, gilt pieces. The end of the period popularized ironwork and marquetry as finishing techniques, employed a variety of fantastical forms, and included arabesque, coquille, and grotesque designs. This period also saw the popularization of several common furniture varieties, including the commode, console table, and canape sofa, among others.

Louis XIV

A design period which glorified and enforced the rule of the King of France by the same name between 1643 and 1715. The style includes three distinct periods. The first third of the period drew heavy influence from Italian Baroque design and the style of the previous king, Louis XIII, employing large, masculine, symmetrical forms. Mahogany and oak were favored as materials. As the period continued, the style became more classically ostentatious and decorative and was characterized by large, ornately carved, gilt pieces. The end of the period popularized ironwork and marquetry as finishing techniques, employed a variety of fantastical forms, and included arabesque, coquille, and grotesque designs. This period also saw the popularization of several common furniture varieties, including the commode, console table, and canape sofa, among others.

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