Continental Biedermeier Inlaid Burl Veneer Side Table

Continental Biedermeier (19th Century possibly German) rectangular burl side table with pullout drawer, light-colored contrasting wood marquetry veneer, notable for its central oval design featuring an attractive maiden reclining between two vases, her left arm raising a bouquet of flowers.
SKU
NWL6797
Item Location
New York, NY
Dimensions (in)
Width: 24.00"
Depth: 31.00"
Height: 26.50"
Style
Biedermeier
German & Austrian
Color
Brown, Beige
Category
Furniture
Tables
End Tables/Bedside Tables
Materials & Techniques
burl, inlay, wood
Condition
Some wear and adhesive residue on surface top
Good; Wear consistent with age and use
$6,500 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Continental Biedermeier Inlaid Burl Veneer Side Table

Continental Biedermeier (19th Century possibly German) rectangular burl side table with pullout drawer, light-colored contrasting wood marquetry veneer, notable for its central oval design featuring an attractive maiden reclining between two vases, her left arm raising a bouquet of flowers.
In Stock
$6,500
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
NWL6797
Item Location
New York, NY
Dimensions (in)
Width:
24.0"
Depth:
31.0"
Height:
26.5"
Style
Biedermeier
Category
Furniture
Tables
End Tables/Bedside Tables
Color
Brown, Beige
Materials & Techniques
burl, inlay, wood

Biedermeier

A style of furniture produced in Austria and Germany during the first half of the 19th century. Inspired by French Empire and German painted peasant work. The name was borrowed from an imaginary cartoon character called Papa Biedermeier, an uneducated country gentlemen who considered himself a connoisseur of fine and industrial arts. Simple marquetry patterns were used with pressed brass ornaments of Greek inspiration as well as painted motifs of wreaths, urns, and floral, animal and human forms. Woods used were mainly fruitwoods, maple, mahogany and birch.

Marquetry

A flush pattern produced by inserting contrasting materials in a veneered surface. Rare, grained, and colored woods are usually used, but thin layers of tortoiseshell, ivory, mother-of-pearl, and metals are also seen. If the pattern is of a geometric nature, it is called parquetry.

Burl

Burl is a type of wood that comes from an irregular growth on a tree. Burl wood is usually cut in a thin veneer form to show its exquisite detail. Burl wood is most common in walnut, elm and yew. Burl wood has been used to decorate furniture for centuries and was highly popular during the Biedermeier period.

Veneer

A wood finishing technique in which thin sheet of fine wood is applied to a the surface of a coarser wood or other structural material for decoration. Veneer is used to give furniture pieces a finer, more pleasing appearance. It was first used in ancient Egypt, classical Greece, and Rome, but did not appear again until the 17th Century in the Netherlands.

Biedermeier

A style of furniture produced in Austria and Germany during the first half of the 19th century. Inspired by French Empire and German painted peasant work. The name was borrowed from an imaginary cartoon character called Papa Biedermeier, an uneducated country gentlemen who considered himself a connoisseur of fine and industrial arts. Simple marquetry patterns were used with pressed brass ornaments of Greek inspiration as well as painted motifs of wreaths, urns, and floral, animal and human forms. Woods used were mainly fruitwoods, maple, mahogany and birch.

Marquetry

A flush pattern produced by inserting contrasting materials in a veneered surface. Rare, grained, and colored woods are usually used, but thin layers of tortoiseshell, ivory, mother-of-pearl, and metals are also seen. If the pattern is of a geometric nature, it is called parquetry.

Burl

Burl is a type of wood that comes from an irregular growth on a tree. Burl wood is usually cut in a thin veneer form to show its exquisite detail. Burl wood is most common in walnut, elm and yew. Burl wood has been used to decorate furniture for centuries and was highly popular during the Biedermeier period.

Veneer

A wood finishing technique in which thin sheet of fine wood is applied to a the surface of a coarser wood or other structural material for decoration. Veneer is used to give furniture pieces a finer, more pleasing appearance. It was first used in ancient Egypt, classical Greece, and Rome, but did not appear again until the 17th Century in the Netherlands.

Biedermeier

A style of furniture produced in Austria and Germany during the first half of the 19th century. Inspired by French Empire and German painted peasant work. The name was borrowed from an imaginary cartoon character called Papa Biedermeier, an uneducated country gentlemen who considered himself a connoisseur of fine and industrial arts. Simple marquetry patterns were used with pressed brass ornaments of Greek inspiration as well as painted motifs of wreaths, urns, and floral, animal and human forms. Woods used were mainly fruitwoods, maple, mahogany and birch.

Marquetry

A flush pattern produced by inserting contrasting materials in a veneered surface. Rare, grained, and colored woods are usually used, but thin layers of tortoiseshell, ivory, mother-of-pearl, and metals are also seen. If the pattern is of a geometric nature, it is called parquetry.

Burl

Burl is a type of wood that comes from an irregular growth on a tree. Burl wood is usually cut in a thin veneer form to show its exquisite detail. Burl wood is most common in walnut, elm and yew. Burl wood has been used to decorate furniture for centuries and was highly popular during the Biedermeier period.

Veneer

A wood finishing technique in which thin sheet of fine wood is applied to a the surface of a coarser wood or other structural material for decoration. Veneer is used to give furniture pieces a finer, more pleasing appearance. It was first used in ancient Egypt, classical Greece, and Rome, but did not appear again until the 17th Century in the Netherlands.

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