Continental Empire Black Lacquer Chinoiserie Console Table

Continental Dutch Empire-style (Circa 1840) black lacquer Chinoiserie console table with adjustable mirror on back and bronze heads with black marble top.
SKU
054537
Item Location
New York, NY
Dimensions (in)
Width: 51.50"
Depth: 22.25"
Height: 34.00"
Style
Continental
Dutch
Color
Black
Category
Furniture
Tables, Dining Room
Console/Wall Tables, Sideboards and Buffets
Materials & Techniques
bronze, lacquered, marble
Condition
Good; Wear consistent with age and use
$62,500 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Continental Empire Black Lacquer Chinoiserie Console Table

Continental Dutch Empire-style (Circa 1840) black lacquer Chinoiserie console table with adjustable mirror on back and bronze heads with black marble top.
In Stock
$62,500
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
054537
Item Location
New York, NY
Dimensions (in)
Width:
51.5"
Depth:
22.3"
Height:
34.0"
Style
Continental
Category
Furniture
Tables, Dining Room
Console/Wall Tables, Sideboards and Buffets
Finish
Lacquered
Color
Black
Materials & Techniques
bronze, lacquered, marble

Console table

Starting in the 17th Century, console tables were side table usually fixed to a wall with front legs for support. Frequently the backside of consoles are left undecorated as they are viewed only from the front or sides and were created with the intent of display, often serving as pier table underneath a large mirror. Contemporary references to console tables can also indicate a freestanding relatively tall, rectangular table that is placed against a entrance wall or sofa.

Chinoiserie

Chinoiserie is the European adaptation of Oriental designs. Chinoiserie can be dated back to the beginning of the 17th Century French, Rococo and Regency periods. The term chinoiserie comes from the word “chinois” which is French for “Chinese”. Common chinoiserie prints and motifs include foo dogs, pagodas, nature scenes, and dragons.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Lacquer

A resin-based varnish sometimes with pigments added that is applied to metal or wood to give a high-gloss finish. Mother-of-pearl, coral, and metals are often inlaid in the lacquer to create a decorative effect.

Console table

Starting in the 17th Century, console tables were side table usually fixed to a wall with front legs for support. Frequently the backside of consoles are left undecorated as they are viewed only from the front or sides and were created with the intent of display, often serving as pier table underneath a large mirror. Contemporary references to console tables can also indicate a freestanding relatively tall, rectangular table that is placed against a entrance wall or sofa.

Chinoiserie

Chinoiserie is the European adaptation of Oriental designs. Chinoiserie can be dated back to the beginning of the 17th Century French, Rococo and Regency periods. The term chinoiserie comes from the word “chinois” which is French for “Chinese”. Common chinoiserie prints and motifs include foo dogs, pagodas, nature scenes, and dragons.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Lacquer

A resin-based varnish sometimes with pigments added that is applied to metal or wood to give a high-gloss finish. Mother-of-pearl, coral, and metals are often inlaid in the lacquer to create a decorative effect.

Console table

Starting in the 17th Century, console tables were side table usually fixed to a wall with front legs for support. Frequently the backside of consoles are left undecorated as they are viewed only from the front or sides and were created with the intent of display, often serving as pier table underneath a large mirror. Contemporary references to console tables can also indicate a freestanding relatively tall, rectangular table that is placed against a entrance wall or sofa.

Chinoiserie

Chinoiserie is the European adaptation of Oriental designs. Chinoiserie can be dated back to the beginning of the 17th Century French, Rococo and Regency periods. The term chinoiserie comes from the word “chinois” which is French for “Chinese”. Common chinoiserie prints and motifs include foo dogs, pagodas, nature scenes, and dragons.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Lacquer

A resin-based varnish sometimes with pigments added that is applied to metal or wood to give a high-gloss finish. Mother-of-pearl, coral, and metals are often inlaid in the lacquer to create a decorative effect.

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