English Adam Gilt Iron Stanchions

(#030389)

Set of 4 English Adam style gold iron painted stanchions with wood ball top and 3 gold velvet ropes.(19/20th Cent)
Item #
030389
Category
Furniture
Architectural/Columns
Ornaments/Misc
Style
English Adam
Finish
Painted
Color
Gold
Dimensions (in)
Height:38.0"
Price:

In Stock

English Adam Gilt Iron Stanchions

Price

#030389

In Stock

Set of 4 English Adam style gold iron painted stanchions with wood ball top and 3 gold velvet ropes.(19/20th Cent)
Item #
030389
Category
Furniture
Architectural/Columns
Ornaments/Misc
Style
English Adam
Finish
Painted
Color
Gold
Dimensions (in)
Height:38.0"

English Adam Gilt Iron Stanchions (#030389)

Price:

In Stock

Set of 4 English Adam style gold iron painted stanchions with wood ball top and 3 gold velvet ropes.(19/20th Cent)
Item #
030389
Dimensions (in)
Height:
38.0"
Style
English Adam
Finish
Painted
Color
Gold

Adam Style

Adam Style

Also known as the Style of the Brothers Adam (or Adamesque), this neoclassical 18th century style is named for the three brothers who pioneered it. The Adams style was popular among the upper class in mid-1700's England, Russia and Scotland, and was founded on the principle that all design elements within a structure (from the architecture down to the textiles) should follow a unified theme.

Adam Style

Adam Style

Also known as the Style of the Brothers Adam (or Adamesque), this neoclassical 18th century style is named for the three brothers who pioneered it. The Adams style was popular among the upper class in mid-1700's England, Russia and Scotland, and was founded on the principle that all design elements within a structure (from the architecture down to the textiles) should follow a unified theme.

Adam Style

Adam Style

Also known as the Style of the Brothers Adam (or Adamesque), this neoclassical 18th century style is named for the three brothers who pioneered it. The Adams style was popular among the upper class in mid-1700's England, Russia and Scotland, and was founded on the principle that all design elements within a structure (from the architecture down to the textiles) should follow a unified theme.

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