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Pair of English Regency Style Bronze Dore Heron Candelabras

PAIR of English Regency-style (19th Century) bronze dore heron figures standing on lotus flowers holding 3 arm candelabras (PRICED AS PAIR)
ITEM #
042937
HEIGHT
18.0"
STYLE
English Regency
COLOR
Gold
CATEGORY
Decor > Candelabras Candlesticks
$9,500
In Stock
Qty: 1

Pair of English Regency Style Bronze Dore Heron Candelabras

In Stock
$9,500
Quantity: 1
PAIR of English Regency-style (19th Century) bronze dore heron figures standing on lotus flowers holding 3 arm candelabras (PRICED AS PAIR)
ITEM #
042937
HEIGHT
18.0"
STYLE
English Regency
COLOR
Gold
Category
Decor > Candelabras Candlesticks
Bronze doré

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Bronze doré

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Bronze doré

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

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