French Empire Parian Napoleon Bust

French Empire style (late 19th Century) life size Parian bust of Napoleon on blue porcelain socle and square ormolu base (signed HOUDON, 1805)
SKU
037840
Item Location
New York, NY
Dimensions (in)
Width: 19.50"
Depth: 11.00"
Height: 27.50"
Style
French
Empire
Color
Beige
Category
Sculpture
Cleared Sculpture
Busts/Figureheads
Materials & Techniques
porcelain
$55,000 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

French Empire Parian Napoleon Bust

French Empire style (late 19th Century) life size Parian bust of Napoleon on blue porcelain socle and square ormolu base (signed HOUDON, 1805)
In Stock
$55,000
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
037840
Item Location
New York, NY
Dimensions (in)
Width:
19.5"
Depth:
11.0"
Height:
27.5"
Style
French
Category
Sculpture
Cleared Sculpture
Busts/Figureheads
Color
Beige
Materials & Techniques
porcelain

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Ormolu

French gilding technique of applying finely ground gold with a mercury amalgam to an object of bronze. High heat is applied in a kiln burning off the mercury and leaving behind the gold affixed to the bronze and is finished by hand-chasing. Also known as gilt-bronze or bronze doré. Often used to refer to bronze furniture mounts enhanced by gilding.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Ormolu

French gilding technique of applying finely ground gold with a mercury amalgam to an object of bronze. High heat is applied in a kiln burning off the mercury and leaving behind the gold affixed to the bronze and is finished by hand-chasing. Also known as gilt-bronze or bronze doré. Often used to refer to bronze furniture mounts enhanced by gilding.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Ormolu

French gilding technique of applying finely ground gold with a mercury amalgam to an object of bronze. High heat is applied in a kiln burning off the mercury and leaving behind the gold affixed to the bronze and is finished by hand-chasing. Also known as gilt-bronze or bronze doré. Often used to refer to bronze furniture mounts enhanced by gilding.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

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