X
{{ modalTitle }}
PLEASE FILL IN THE REQUIRED FIELDS.X
X
{{ modalTitle }}
Choose one of the options below.X
ITEM SUCCESSFULLY
ADDED TO PROJECT
Pair of Caldwell French Empire Style Ormolu Wall Sconces
FrenchEmpireLightingSconce
Newel Gallery
306 East 61st Street, 3rd Floor
NY - 10065
(212) 758-1970
Pair of Caldwell French Empire Style Ormolu Wall Sconces
Newel Gallery
306 East 61st Street, 3rd Floor
NY - 10065
(212) 758-1970
LightingSconce
About Caldwell
Caldwell is a renowned furniture and decorative arts designer who has made significant contributions to the field. With a passion for creating functional yet aesthetically pleasing pieces, Caldwell has established a reputation for his innovative designs and attention to detail.
Born in the early 20th century, Caldwell's interest in art and design began at a young age. He studied at read more..
Empire
A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.
Sconce
A wall-mounted bracket light, typically with an upward-facing arm that holds, in antique sconces, an oil lamp or candle, or in modern examples, an electrified light. Antique sconces were used often in corridors or in pairs on both sides of an entryway. They featured a reflective backplate to intensify candlelight while keeping the candle a safe distance from the wall. They are commonly made of metals such as silver, bronze, or ormolu and became very decorative in the 18th Century.
Ormolu
French gilding technique of applying finely ground gold with a mercury amalgam to an object of bronze. High heat is applied in a kiln burning off the mercury and leaving behind the gold affixed to the bronze and is finished by hand-chasing. Also known as gilt-bronze or bronze doré. Often used to refer to bronze furniture mounts enhanced by gilding.
Empire
A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.
Sconce
A wall-mounted bracket light, typically with an upward-facing arm that holds, in antique sconces, an oil lamp or candle, or in modern examples, an electrified light. Antique sconces were used often in corridors or in pairs on both sides of an entryway. They featured a reflective backplate to intensify candlelight while keeping the candle a safe distance from the wall. They are commonly made of metals such as silver, bronze, or ormolu and became very decorative in the 18th Century.
Ormolu
French gilding technique of applying finely ground gold with a mercury amalgam to an object of bronze. High heat is applied in a kiln burning off the mercury and leaving behind the gold affixed to the bronze and is finished by hand-chasing. Also known as gilt-bronze or bronze doré. Often used to refer to bronze furniture mounts enhanced by gilding.
Empire
A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.
Sconce
A wall-mounted bracket light, typically with an upward-facing arm that holds, in antique sconces, an oil lamp or candle, or in modern examples, an electrified light. Antique sconces were used often in corridors or in pairs on both sides of an entryway. They featured a reflective backplate to intensify candlelight while keeping the candle a safe distance from the wall. They are commonly made of metals such as silver, bronze, or ormolu and became very decorative in the 18th Century.
Ormolu
French gilding technique of applying finely ground gold with a mercury amalgam to an object of bronze. High heat is applied in a kiln burning off the mercury and leaving behind the gold affixed to the bronze and is finished by hand-chasing. Also known as gilt-bronze or bronze doré. Often used to refer to bronze furniture mounts enhanced by gilding.