Set of 9 French Louis XIV Rose Upholstery Chairs

SET of 9 French Louis XIV style (19th Century) gilt chairs with rose damask upholstery. 2 arm chairs: 24½"w 21"d 44½"h, 7 side chairs (PRICED AS SET).
SKU
031989
Item Location
New York, NY
Dimensions (in)
Width: 19.50"
Depth: 18.50"
Height: 38.00"
Seat Height: 16.50"
Style
French
Louis XIV
Color
Red
Category
Furniture
Seating, Office/Library, Dining Room
Side Chairs, Chairs/Swivel Chairs, Dining Chairs
Materials & Techniques
gilt / giltwood
Condition
Antique condition.
$27,500 / Set (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Set of 9 French Louis XIV Rose Upholstery Chairs

SET of 9 French Louis XIV style (19th Century) gilt chairs with rose damask upholstery. 2 arm chairs: 24½"w 21"d 44½"h, 7 side chairs (PRICED AS SET).
In Stock
$27,500 / Set
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
031989
Item Location
New York, NY
Dimensions (in)
Width:
19.5"
Depth:
18.5"
Seat/Height:
16.5"
Height:
38.0"
Style
French
Category
Furniture
Seating, Office/Library, Dining Room
Side Chairs, Chairs/Swivel Chairs, Dining Chairs
Finish
Gilt / giltwood
Color
Red
Materials & Techniques
gilt / giltwood

Louis XIV

A design period which glorified and enforced the rule of the King of France by the same name between 1643 and 1715. The style includes three distinct periods. The first third of the period drew heavy influence from Italian Baroque design and the style of the previous king, Louis XIII, employing large, masculine, symmetrical forms. Mahogany and oak were favored as materials. As the period continued, the style became more classically ostentatious and decorative and was characterized by large, ornately carved, gilt pieces. The end of the period popularized ironwork and marquetry as finishing techniques, employed a variety of fantastical forms, and included arabesque, coquille, and grotesque designs. This period also saw the popularization of several common furniture varieties, including the commode, console table, and canape sofa, among others.

Damask

A linen, cotton, rayon, or silk fabric with a reversible jacquard weave. Damasks are woven on a jacquard loom using predominantly monotone fibers and a combination of weaving techniques most commonly satin and twill variants creating a tone on tone pattern that is produced by the contrast of matte and reflective surfaces. Prior to the invention of the jacquard loom in the early 1800s, damasks were woven by hand and considered a luxury fabric, but the loom's ability to produce bulk yardage allowed for more widespread access to damask fabrics within middle-class households in the 19th Century.

Louis XIV

A design period which glorified and enforced the rule of the King of France by the same name between 1643 and 1715. The style includes three distinct periods. The first third of the period drew heavy influence from Italian Baroque design and the style of the previous king, Louis XIII, employing large, masculine, symmetrical forms. Mahogany and oak were favored as materials. As the period continued, the style became more classically ostentatious and decorative and was characterized by large, ornately carved, gilt pieces. The end of the period popularized ironwork and marquetry as finishing techniques, employed a variety of fantastical forms, and included arabesque, coquille, and grotesque designs. This period also saw the popularization of several common furniture varieties, including the commode, console table, and canape sofa, among others.

Damask

A linen, cotton, rayon, or silk fabric with a reversible jacquard weave. Damasks are woven on a jacquard loom using predominantly monotone fibers and a combination of weaving techniques most commonly satin and twill variants creating a tone on tone pattern that is produced by the contrast of matte and reflective surfaces. Prior to the invention of the jacquard loom in the early 1800s, damasks were woven by hand and considered a luxury fabric, but the loom's ability to produce bulk yardage allowed for more widespread access to damask fabrics within middle-class households in the 19th Century.

Louis XIV

A design period which glorified and enforced the rule of the King of France by the same name between 1643 and 1715. The style includes three distinct periods. The first third of the period drew heavy influence from Italian Baroque design and the style of the previous king, Louis XIII, employing large, masculine, symmetrical forms. Mahogany and oak were favored as materials. As the period continued, the style became more classically ostentatious and decorative and was characterized by large, ornately carved, gilt pieces. The end of the period popularized ironwork and marquetry as finishing techniques, employed a variety of fantastical forms, and included arabesque, coquille, and grotesque designs. This period also saw the popularization of several common furniture varieties, including the commode, console table, and canape sofa, among others.

Damask

A linen, cotton, rayon, or silk fabric with a reversible jacquard weave. Damasks are woven on a jacquard loom using predominantly monotone fibers and a combination of weaving techniques most commonly satin and twill variants creating a tone on tone pattern that is produced by the contrast of matte and reflective surfaces. Prior to the invention of the jacquard loom in the early 1800s, damasks were woven by hand and considered a luxury fabric, but the loom's ability to produce bulk yardage allowed for more widespread access to damask fabrics within middle-class households in the 19th Century.

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