Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

Filigree

Primarily refers to fine, ornate metalwork (mainly in gold, silver, or copper), that is intricately patterned and used as ornamentation or embellishment, particularly in fine jewelry making. More broadly, the term can refer to any ornamental openwork that is delicate or fine that resembles a metal filigree in its pattern, but in other mediums.

Veneer

A wood finishing technique in which thin sheet of fine wood is applied to a the surface of a coarser wood or other structural material for decoration. Veneer is used to give furniture pieces a finer, more pleasing appearance. It was first used in ancient Egypt, classical Greece, and Rome, but did not appear again until the 17th Century in the Netherlands.