Pair of American Victorian Bronze Dore Tiffany Table Lamps

PAIR of American Victorian bronze dore table lamps (signed: TIFFANY) (PRICED AS PAIR).
SKU
020659
Creator
Tiffany Studios
Item Location
New York, NY
Dimensions (in)
Width: 6.50"
Depth: 6.50"
Height: 16.50"
Style
American
Victorian
Color
Gold
Category
Lighting
Lighting
Table lamp
Materials & Techniques
bronze, bronze dore, metal
$7,500 / Pair (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Pair of American Victorian Bronze Dore Tiffany Table Lamps

PAIR of American Victorian bronze dore table lamps (signed: TIFFANY) (PRICED AS PAIR).
In Stock
$7,500 / Pair
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
020659
Creator
Tiffany Studios
Item Location
New York, NY
Dimensions (in)
Width:
6.5"
Depth:
6.5"
Height:
16.5"
Style
American
Category
Lighting
Lighting
Table lamp
Color
Gold
Materials & Techniques
bronze, bronze dore, metal

About Tiffany Studios

Tiffany Studios was a renowned American decorative arts firm that operated from 1902 to 1932. The firm was founded by Louis Comfort Tiffany, an accomplished artist and designer, who is widely recognized as one of the most influential figures in the Art Nouveau and Art Deco movements.

Born on February 18, 1848, in New York City, Louis Comfort Tiffany was the son of Charles Lewis read more..

View all Tiffany Studios Works

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

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