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Pair of Joseph Cheret French Victorian Patinated Bronze Cherub Wall Sconces
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
Pair of Joseph Cheret French Victorian Patinated Bronze Cherub Wall Sconces
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
About Joseph Cheret
Joseph Cheret (born 1962) is a renowned furniture and decorative arts designer known for his innovative and sophisticated creations. With a career spanning over three decades, Cheret has established himself as a prominent figure in the design industry, leaving an indelible mark on the world of furniture and decorative arts.
Born in 1962, Cheret developed a passion for design from a read more..
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Patina
Term used to designate a shift in wear or change in material on the surface of furniture, due to age, exposure, and hand-rubbing. Usually used to describe a shift in color on metal as oxidization occurs such as the greenish tint, formed on copper or bronze after long exposure.
Sconce
A wall-mounted bracket light, typically with an upward-facing arm that holds, in antique sconces, an oil lamp or candle, or in modern examples, an electrified light. Antique sconces were used often in corridors or in pairs on both sides of an entryway. They featured a reflective backplate to intensify candlelight while keeping the candle a safe distance from the wall. They are commonly made of metals such as silver, bronze, or ormolu and became very decorative in the 18th Century.
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Patina
Term used to designate a shift in wear or change in material on the surface of furniture, due to age, exposure, and hand-rubbing. Usually used to describe a shift in color on metal as oxidization occurs such as the greenish tint, formed on copper or bronze after long exposure.
Sconce
A wall-mounted bracket light, typically with an upward-facing arm that holds, in antique sconces, an oil lamp or candle, or in modern examples, an electrified light. Antique sconces were used often in corridors or in pairs on both sides of an entryway. They featured a reflective backplate to intensify candlelight while keeping the candle a safe distance from the wall. They are commonly made of metals such as silver, bronze, or ormolu and became very decorative in the 18th Century.
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Patina
Term used to designate a shift in wear or change in material on the surface of furniture, due to age, exposure, and hand-rubbing. Usually used to describe a shift in color on metal as oxidization occurs such as the greenish tint, formed on copper or bronze after long exposure.
Sconce
A wall-mounted bracket light, typically with an upward-facing arm that holds, in antique sconces, an oil lamp or candle, or in modern examples, an electrified light. Antique sconces were used often in corridors or in pairs on both sides of an entryway. They featured a reflective backplate to intensify candlelight while keeping the candle a safe distance from the wall. They are commonly made of metals such as silver, bronze, or ormolu and became very decorative in the 18th Century.