Pair of Italian Baroque Gilt Wood Pedestals

PAIR of Italian Baroque style (Roman, 19th Century) gilt wood pedestals carved with heavy acanthus leaves above an Apollo mask on lions paw feet.
ITEM #
039188
WIDTH
24.0"
STYLE
Italian Rococo
DEPTH
20.0"
COLOR
Gold
HEIGHT
54.0"
CATEGORY
Furniture > Tables > Pedestals
$27,500 / Pair (USD)
In Stock
Qty: 1

Pair of Italian Baroque Gilt Wood Pedestals

In Stock
$27,500
Quantity: 1
PAIR of Italian Baroque style (Roman, 19th Century) gilt wood pedestals carved with heavy acanthus leaves above an Apollo mask on lions paw feet.
ITEM #
039188
WIDTH
24.0"
DEPTH
20.0"
HEIGHT
54.0"
STYLE
Italian Rococo
COLOR
Gold
Category
Furniture > Tables > Pedestals
Rococo

Rococo

Rococo is an artistic movement in French design originating in the 18th century after Baroque. It is notable for asymetrical styles and tended to be over-ornamented. The name is derived from the French words rocaille and coquille rock and shell, both prominent motifs in this decoration.

Acanthus

Acanthus

Acanthus, also called Bear’s Breeches, is a stylized leaf that is native to the Mediterranean. The acanthus leaf motif was first used in classic Greek and Roman architecture, specifically in the design of Corinthian columns and pillars. Today, the acanthus symbolizes longevity and immortality of the soul.

Baroque

Baroque

A style of architecture, art, music, and decoration which originated in Italy during the late 16th century and slowly spread throughout Europe culminating in Germany and South American in the 18th Century. Often contradictory, Baroque style is complex but is characterized by bold details, sweeping curves, sensuous drama, and heightened emotional states. Often the Baroque would be referred to as defying logic, departing from the establishment, and an exaggeration of proportions.

Rococo

Rococo

Rococo is an artistic movement in French design originating in the 18th century after Baroque. It is notable for asymetrical styles and tended to be over-ornamented. The name is derived from the French words rocaille and coquille rock and shell, both prominent motifs in this decoration.

Acanthus

Acanthus

Acanthus, also called Bear’s Breeches, is a stylized leaf that is native to the Mediterranean. The acanthus leaf motif was first used in classic Greek and Roman architecture, specifically in the design of Corinthian columns and pillars. Today, the acanthus symbolizes longevity and immortality of the soul.

Baroque

Baroque

A style of architecture, art, music, and decoration which originated in Italy during the late 16th century and slowly spread throughout Europe culminating in Germany and South American in the 18th Century. Often contradictory, Baroque style is complex but is characterized by bold details, sweeping curves, sensuous drama, and heightened emotional states. Often the Baroque would be referred to as defying logic, departing from the establishment, and an exaggeration of proportions.

Rococo

Rococo

Rococo is an artistic movement in French design originating in the 18th century after Baroque. It is notable for asymetrical styles and tended to be over-ornamented. The name is derived from the French words rocaille and coquille rock and shell, both prominent motifs in this decoration.

Acanthus

Acanthus

Acanthus, also called Bear’s Breeches, is a stylized leaf that is native to the Mediterranean. The acanthus leaf motif was first used in classic Greek and Roman architecture, specifically in the design of Corinthian columns and pillars. Today, the acanthus symbolizes longevity and immortality of the soul.

Baroque

Baroque

A style of architecture, art, music, and decoration which originated in Italy during the late 16th century and slowly spread throughout Europe culminating in Germany and South American in the 18th Century. Often contradictory, Baroque style is complex but is characterized by bold details, sweeping curves, sensuous drama, and heightened emotional states. Often the Baroque would be referred to as defying logic, departing from the establishment, and an exaggeration of proportions.

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