Pair of French Victorian Porcelain Urn Table Lamps

PAIR of French Victorian green and white pâte-sur-pâte porcelain urn shaped table lamps with bronze handles with heads and shaped base (PRICED AS PAIR).
SKU
032343A
Item Location
New York, NY
Dimensions (in)
Height: 27.00"
Style
French
Victorian
Color
Gold, Green
Category
Lighting
Lighting
Table lamp
Materials & Techniques
bronze, porcelain
Condition
Ships without a shade
$13,500 / Pair (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Pair of French Victorian Porcelain Urn Table Lamps

PAIR of French Victorian green and white pâte-sur-pâte porcelain urn shaped table lamps with bronze handles with heads and shaped base (PRICED AS PAIR).
In Stock
$13,500 / Pair
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
032343A
Item Location
New York, NY
Dimensions (in)
Height:
27.0"
Style
French
Category
Lighting
Lighting
Table lamp
Color
Gold, Green
Materials & Techniques
bronze, porcelain

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Pâte-sur-pâte

Literally translated as “paste-on-paste,” pate-sur-pate is a technique used to decorate porcelain pieces by painting layers of white porcelain slip onto an unfired and unglazed vessel in order to create a relief design on a darker background. It provides a cameo-like effect, but unlike Jasperware, it allows for transparency in the design. The technique was first developed in France during the 1850s.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Pâte-sur-pâte

Literally translated as “paste-on-paste,” pate-sur-pate is a technique used to decorate porcelain pieces by painting layers of white porcelain slip onto an unfired and unglazed vessel in order to create a relief design on a darker background. It provides a cameo-like effect, but unlike Jasperware, it allows for transparency in the design. The technique was first developed in France during the 1850s.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Pâte-sur-pâte

Literally translated as “paste-on-paste,” pate-sur-pate is a technique used to decorate porcelain pieces by painting layers of white porcelain slip onto an unfired and unglazed vessel in order to create a relief design on a darker background. It provides a cameo-like effect, but unlike Jasperware, it allows for transparency in the design. The technique was first developed in France during the 1850s.

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