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Pair of French Victorian Porcelain Urn Table Lamps
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
Pair of French Victorian Porcelain Urn Table Lamps
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Porcelain
Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.
Pâte-sur-pâte
Literally translated as “paste-on-paste,” pate-sur-pate is a technique used to decorate porcelain pieces by painting layers of white porcelain slip onto an unfired and unglazed vessel in order to create a relief design on a darker background. It provides a cameo-like effect, but unlike Jasperware, it allows for transparency in the design. The technique was first developed in France during the 1850s.
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Porcelain
Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.
Pâte-sur-pâte
Literally translated as “paste-on-paste,” pate-sur-pate is a technique used to decorate porcelain pieces by painting layers of white porcelain slip onto an unfired and unglazed vessel in order to create a relief design on a darker background. It provides a cameo-like effect, but unlike Jasperware, it allows for transparency in the design. The technique was first developed in France during the 1850s.
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Porcelain
Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.
Pâte-sur-pâte
Literally translated as “paste-on-paste,” pate-sur-pate is a technique used to decorate porcelain pieces by painting layers of white porcelain slip onto an unfired and unglazed vessel in order to create a relief design on a darker background. It provides a cameo-like effect, but unlike Jasperware, it allows for transparency in the design. The technique was first developed in France during the 1850s.