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Pair of Italian Piedmontese Rounded Back Carved and Upholstered Armchairs
PAIR of Italian Piedmontese (c.1785) open arm chairs with a rounded back having a carved floral crest, the frame carved with wheat, and the legs having a twisted fluting with light gray velvet upholstery. (PRICED AS PAIR)
PAIR of Italian Piedmontese (c.1785) open arm chairs with a rounded back having a carved floral crest, the frame carved with wheat, and the legs having a twisted fluting with light gray velvet upholstery. (PRICED AS PAIR)
Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.
Fluting
Decoration formed by making parallel, concave grooves. In classical architecture they are commonly seen on column shafts and run in a vertical direction. Fluting as a visual effect helps to hide joinery and play with optical surface lighting.
Neo-classic
Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.
Fluting
Decoration formed by making parallel, concave grooves. In classical architecture they are commonly seen on column shafts and run in a vertical direction. Fluting as a visual effect helps to hide joinery and play with optical surface lighting.
Neo-classic
Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.
Fluting
Decoration formed by making parallel, concave grooves. In classical architecture they are commonly seen on column shafts and run in a vertical direction. Fluting as a visual effect helps to hide joinery and play with optical surface lighting.
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