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Set of French Victorian Porcelain Dessert Dishes
FrenchVictorianDining Room, Accessories/Décor/Bric-a-BracDinnerware, Dining Accessories
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
(212) 758-1970
Set of French Victorian Porcelain Dessert Dishes
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
(212) 758-1970
Dining Room, Accessories/Décor/Bric-a-BracDinnerware, Dining Accessories
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Banding
A decorative inlay technique using narrow veneer wood strips of contrasting hues to create a pattern for visual effect. Banding also refers to the use of veneer along the narrow edge of a piece, such as the lip of a tabletop (known specifically as “edge banding”).
Pedestal
A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.
Porcelain
Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Banding
A decorative inlay technique using narrow veneer wood strips of contrasting hues to create a pattern for visual effect. Banding also refers to the use of veneer along the narrow edge of a piece, such as the lip of a tabletop (known specifically as “edge banding”).
Pedestal
A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.
Porcelain
Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.
Victorian
Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.
Banding
A decorative inlay technique using narrow veneer wood strips of contrasting hues to create a pattern for visual effect. Banding also refers to the use of veneer along the narrow edge of a piece, such as the lip of a tabletop (known specifically as “edge banding”).
Pedestal
A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.
Porcelain
Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.