Pair of Swedish Empire Green Stripe Club Chairs

PAIR of Swedish Empire-style (20th Century) gilt club chairs with green lacquered claw feet and stripe upholstery (PRICED AS PAIR)
ITEM #
037547A
WIDTH
27.5"
STYLE
Continental Baltic
DEPTH
36.0"
COLOR
Gold, Red, Green
HEIGHT
38.0"
CATEGORY
Furniture > Seating > Armchairs
SEAT HEIGHT
18.5"
$15,000
In Stock
Qty: 1

Pair of Swedish Empire Green Stripe Club Chairs

In Stock
$15,000
Quantity: 1
PAIR of Swedish Empire-style (20th Century) gilt club chairs with green lacquered claw feet and stripe upholstery (PRICED AS PAIR)
ITEM #
037547A
WIDTH
27.5"
DEPTH
36.0"
HEIGHT
38.0"
SEAT HEIGHT
18.5"
STYLE
Continental Baltic
COLOR
Gold, Red, Green
Category
Furniture > Seating > Armchairs
Empire

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Empire

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Empire

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

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