Victorian Black Lacquered Pedestal

American Victorian square black lacquered and bronze dore trimmed pedestal/fernery with porcelain paneled shelf and white marble top.
SKU
041885
Item Location
New York, NY
Dimensions (in)
Width: 19.00"
Depth: 19.00"
Height: 40.00"
Style
American
Victorian
Color
White, Black
Category
Furniture
Tables
Pedestals
Materials & Techniques
marble, porcelain, bronze, lacquered
$10,750 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Gallery

306 East 61st Street, 3rd Floor

NY - 10065

phone(212) 758-1970

Victorian Black Lacquered Pedestal

American Victorian square black lacquered and bronze dore trimmed pedestal/fernery with porcelain paneled shelf and white marble top.
In Stock
$10,750
Quantity:1
SEE IN PERSON
location

Newel Gallery

306 East 61st Street, 3rd Floor

NY - 10065

phone(212) 758-1970
SKU
041885
Item Location
New York, NY
Dimensions (in)
Width:
19.0"
Depth:
19.0"
Height:
40.0"
Style
American
Category
Furniture
Tables
Pedestals
Finish
Lacquered
Color
White, Black
Materials & Techniques
marble, porcelain, bronze, lacquered

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Porcelain

Porcelain is a hard, non-porous pottery. Porcelain is white, has a fine-grained body and usually translucent. Porcelain differs from earthenware in that earthenware is porous, opaque and coarse. True porcelain is made of kaolin or china clay.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

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