Pair of French Empire Bronze Dore and Marble Console Tables

PAIR of French Empire-style (19th Century) bronze and dore trim bracket console tables with half round marble top supported on a single leg ending in a square marble base. (PRICED AS PAIR)
SKU
057477
Item Location
New York, NY
Dimensions (in)
Width: 28.00"
Depth: 13.00"
Height: 37.00"
Style
French
Empire
Color
Gold
Category
Furniture
Tables, Dining Room
Console/Wall Tables, Sideboards and Buffets
Materials & Techniques
bronze, bronze dore, marble
Condition
Needs to be mounted or secured to a wall.
$42,500 / Pair (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Gallery

306 East 61st Street, 3rd Floor

NY - 10065

phone(212) 758-1970

Pair of French Empire Bronze Dore and Marble Console Tables

PAIR of French Empire-style (19th Century) bronze and dore trim bracket console tables with half round marble top supported on a single leg ending in a square marble base. (PRICED AS PAIR)
In Stock
$42,500 / Pair
Quantity:1
SEE IN PERSON
location

Newel Gallery

306 East 61st Street, 3rd Floor

NY - 10065

phone(212) 758-1970
SKU
057477
Item Location
New York, NY
Dimensions (in)
Width:
28.0"
Depth:
13.0"
Height:
37.0"
Style
French
Category
Furniture
Tables, Dining Room
Console/Wall Tables, Sideboards and Buffets
Color
Gold
Materials & Techniques
bronze, bronze dore, marble

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

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