Pair of French Louis XV Style Bronze Dore Compotes

PAIR of French Louis XV-style (19th Century) bronze dore pedestal base compotes on 3 scroll feet with round top and heads on edge. (PRICED AS PAIR)
SKU
015369
Item Location
New York, NY
Dimensions (in)
Height: 7.00"
Diameter: 7.00"
Style
French
Louis XV
Color
Gold
Category
Decor
Accessories/Décor/Bric-a-Brac, Dining Room
Vases/Urns, Dining Accessories, Candle Holders/Centerpieces
Materials & Techniques
bronze, bronze dore
$1,200 / Pair (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Pair of French Louis XV Style Bronze Dore Compotes

PAIR of French Louis XV-style (19th Century) bronze dore pedestal base compotes on 3 scroll feet with round top and heads on edge. (PRICED AS PAIR)
In Stock
$1,200 / Pair
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
015369
Item Location
New York, NY
Dimensions (in)
Height:
7.0"
Diameter:
7.0"
Style
French
Category
Decor
Accessories/Décor/Bric-a-Brac, Dining Room
Vases/Urns, Dining Accessories, Candle Holders/Centerpieces
Color
Gold
Materials & Techniques
bronze, bronze dore

Louis XV

Also known as Louis Quinze, was a style popularized by King Louis XV of France. The Sun King reigned in France between 1715 and 1774. The furniture style from this period is similar to Rococo with soft, flowing lines, shell and flower ornamentation, S-curves, rich padded upholstery, rare wood veneers, inlaying and painted furniture.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

Louis XV

Also known as Louis Quinze, was a style popularized by King Louis XV of France. The Sun King reigned in France between 1715 and 1774. The furniture style from this period is similar to Rococo with soft, flowing lines, shell and flower ornamentation, S-curves, rich padded upholstery, rare wood veneers, inlaying and painted furniture.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

Louis XV

Also known as Louis Quinze, was a style popularized by King Louis XV of France. The Sun King reigned in France between 1715 and 1774. The furniture style from this period is similar to Rococo with soft, flowing lines, shell and flower ornamentation, S-curves, rich padded upholstery, rare wood veneers, inlaying and painted furniture.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Pedestal

A tall, narrow base which supports a statue, lamp, vase or any decorative object. Usually treated with moldings at the top and a base block on the bottom. Without moldings it is called a plinth.

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